Books in Library of Native Americans series

An instant classic of American sportswriting—the tennis essays of David Foster Wallace, “the best mind of his generation” (A. O. Scott) and “the best tennis-writer of all time” (New York Times) Gathered for the first time in a deluxe collector's edition, here are David Foster Wallace's legendary writings on tennis, five tour-de-force pieces written with a competitor's insight and a fan's obsessive enthusiasm. Wallace brings his dazzling literary magic to the game he loved as he celebrates the other-worldly genius of Roger Federer; offers a wickedly witty disection of Tracy Austin's memoir; considers the artistry of Michael Joyce, a supremely disciplined athlete on the threshold of fame; resists the crush of commerce at the U.S. Open; and recalls his own career as a "near-great" junior player.Whiting Award-winning writer John Jeremiah Sullivan provides an introduction.

Historian, sociologist, novelist, editor, and political activist, William Edward Burghardt Du Bois was the most gifted and influential black intellectual of his time. This Library of America volume presents his essential writings, covering the full span of a restless life dedicated to the struggle for racial justice.The Suppression of the African Slave-Trade to the United States 1638–1870 (1896), his first book, renders a dispassionate account of how, despite ethical and political opposition, Americans tolerated the traffic in human beings until a bloody civil war taught them the disastrous consequences of moral cowardice.The Souls of Black Folk (1903), a collection of beautifully written essays, narrates the cruelties of racism and celebrates the strength and pride of black America. By turns lyrical, historical, and autobiographical, Du Bois pays tribute to black music and religion, explores the remarkable history of the Reconstruction Freedman’s Bureau, assesses the career of Booker T. Washington, and remembers the death of his infant son.Dusk of Dawn (1940) was described by Du Bois as an attempt to elucidate the “race problem” in terms of his own experience. It describes his boyhood in western Massachusetts, his years at Fisk and Harvard universities, his study and travel abroad, his role in founding the NAACP and his long association with it, and his emerging Pan-African consciousness. He called this autobiography his response to an “environing world” that “guided, embittered, illuminated and enshrouded my life.”Du Bois’s influential essays and speeches span the period from 1890 to 1958. They record his evolving positions on the issues that dominated his long, active life: education in a segregated society; black history, art, literature, and culture; the controversial career of Marcus Garvey; the fate of black soldiers in the First World War; the appeal of communism to frustrated black Americans; his trial and acquittal during the McCarthy era; and the elusive promise of an African homeland.The editorials and articles from The Crisis (1910–1934) belong to the period of Du Bois’s greatest influence. During his editorship of the NAACP magazine that he founded, Du Bois wrote pieces on virtually every aspect of American political, cultural, and economic life. Witty and sardonic, angry and satiric, proud and mournful, these writings show Du Bois at his freshest and most trenchant.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Collects: CRIME NOVELS: AMERICAN NOIR OF THE 1930s & 40sThe Postman Always Rings Twice by James M. CainThey Shoot Horses, Don’t They? by Horace McCoyThieves Like Us by Edward AndersonThe Big Clock by Kenneth FearingNightmare Alley by William Lindsay GreshamI Married a Dead Man by Cornell Woolrich990 pages • 978-1-883011-46-8 Library of America volume #94CRIME NOVELS: AMERICAN NOIR OF THE 1950sThe Killer Inside Me by Jim ThompsonThe Talented Mr. Ripley by Patricia HighsmithPick-Up by Charles WillefordDown There by David GoodisThe Real Cool Killers by Chester Himes892 pages • 978-1-883011-49-9 Library of America volume #95This adventurous two-volume collection presents a rich vein of modern American writing too often neglected in mainstream literary histories. Evolving out of the terse and violent hardboiled style of the pulp magazines, noir fiction expanded over the decades into a varied and innovative body of writing. Tapping deep roots in the American literary imagination, the novels in this volume explore themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life. The raw power of their vernacular style has profoundly influenced contemporary American culture and writing.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This Library of America edition is the biggest and best edition of Walt Whitman's writings ever published. It includes all of his poetry and what he considered his complete prose. It is also the only collection that includes, in exactly the form in which it appeared in 1855, the first edition of Leaves of Grass. This was the book, a commercial failure, which prompted Emerson’s famous message to Whitman: “I greet you at the beginning of a great career.” These twelve poems, including what were later to be entitled “Song of Myself” and “I Sing the Body Electric,” and a preface announcing the author’s poetic theories were the first stage of a massive, lifelong work. Six editions and some thirty-seven years later, Leaves of Grass became one of the central volumes in the history of world poetry. Each edition involved revisions of earlier poems and the incorporation of new ones. As it progressed, it was hailed by Emerson, Thoreau, Rosetti and others, but was also, as with the sixth edition in 1881–82, beset by charges of obscenity for such poems as “A Woman Waits for Me.” Printed here is the final, great culminating edition of 1891–92, the last supervised by Whitman himself just before his death. Whitman’s prose is no less extraordinary. Specimen Days and Collect (1882) includes reminiscences of nineteenth-century New York City that will fascinate readers in the twenty-first, notes on the Civil War, especially his service in Washington hospitals, and trenchant comments on books and authors. Democratic Vistas (1871), in its attacks on the misuses of national wealth after the Civil War, is relevant to conditions in our own time, and November Boughs (1888) brings together retrospective prefaces, opinions, and random autobiographical bits that are in effect an extended epilogue on Whitman’s life, works, and times.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

THE ESSENTIAL PLAYLIST OF GREAT WRITING ABOUT THE MUSIC THAT ROCKED AMERICA Jonathan Lethem and Kevin Dettmar's Shake It Up invites the reader into the tumult and excitement of the rock revolution through fifty landmark pieces by a supergroup of writers on rock in all its variety, from heavy metal to disco, punk to hip-hop. Stanley Booth describes a recording session with Otis Redding; Ellen Willis traces the meteoric career of Janis Joplin; Ellen Sander recalls the chaotic world of Led Zeppelin on tour; Nick Tosches etches a portrait of the young Jerry Lee Lewis; Eve Babitz remembers Jim Morrison. Alongside are Lenny Kaye on acapella and Greg Tate on hip-hop, Vince Aletti on disco and Gerald Early on Motown; Robert Christgau on Prince, Nelson George on Marvin Gaye, Luc Sante on Bob Dylan, Hilton Als on Michael Jackson, Anthony DeCurtis on the Rolling Stones, Kelefa Sanneh on Jay Z. The story this anthology tells is a ongoing one: “it’s too early,” editors Jonathan Lethem and Kevin Dettmar note, “for canon formation in a field so marvelously volatile—a volatility that mirrors, still, that of pop music itself, which remains smokestack lightning. The writing here attempts to catch some in a bottle.” Also features:NAT HENTOFF on BOB DYLAN AMIRI BARAKA on R&B LESTER BANGS on ELVIS PRESLEY ROBERT CHRISTGAU on PRINCE DEBRA RAE COHEN on DAVID BOWIE EVE BABITZ on JIM MORRISON ROBERT PALMER on SAM COOKE CHUCK KLOSTERMAN on HEAVY METAL JESSICA HOPPER on EMO JOHN JEREMIAH SULLIVAN on AXL ROSE ELIJAH WALD on THE BEATLES GREIL MARCUS on CHRISTIAN MARCLAY and much more.

From the street game to March Madness to Jordan and LeBron, the greatest writing about the grit, grace, and glory of basketballMade in America, basketball is a sport that stirs a national passion, reaching fever pitch during the NCAA's March Madness and the NBA Finals. Masterfully assembled by longtime Sports Illustrated writer Alexander Wolff, Basketball spans eight decades to bring together a dream team of writers as awe-inspiring and endlessly inventive as the game itself. Here are in-depth profiles of the legends of the hardcourt--Russell, Kareem, Bird, Jordan, and LeBron--and storied franchises such as the Knicks and Celtics, along with dazzling portraits of the flash and sizzle of playground ball and more personal reflections on the game by some of America's finest writers, among them Donald Hall, John Edgar Wideman, and Pat Conroy. Highlights include James Naismith recalling how he invented the game that would go on to conquer the world; John McPhee capturing the ever-disciplined Bill Bradley as a Princeton Tiger; Peter Goldman's indelible portrait of the life and death of a Harlem Globetrotter; and Michael Lewis's account of the brave new world of NBA analytics. Classic journalism about inner-city basketball by Pete Axthelm, Rick Telander, and Darcy Frey is joined by stories of the game's popularity across America, from the heartland of Hoosier country to an Apache Reservation in Arizona.Cover: Copyright © 1996 by NBAE. Photo by Nathaniel S. Butler/NBAE/Getty Images.

For the 250th anniversary of John Quincy Adams's birth, a landmark new selected edition of an American masterpiece: the incomparable self-portrait of a man and his times from the Revolution to the coming of the Civil War. The diary of John Quincy Adams is one of the most extraordinary works in American literature. Begun in 1779 at the age of twelve and kept more or less faithfully until his death almost 70 years later, and totaling some fifteen thousand closely-written manuscript pages, it is both an unrivaled record of historical events and personalities from the nation's founding to the antebellum era and a masterpiece of American self-portraiture, tracing the spiritual, literary, and scientific interests of an exceptionally lively mind. Now, for the 250th anniversary of Adams's birth, Library of America and historian David Waldstreicher present a two-volume reader's edition of diary selections based for the first time on the original manuscripts, restoring personal and revealing passages suppressed in earlier editions.Volume I begins during the American Revolution, with Adams's first entry, as he prepares to embark on a perilous wartime voyage to Europe with his father, diplomat John Adams, and records his early impressions of Franklin and Jefferson and of Paris on the eve of revolution; it details his abbreviated but eventful years of study at Harvard and his emergence into the world of politics in his own right, as American minister to the Netherlands and to Prussia, and then as a U. S. senator from Massachusetts; and it reveals a young man at war with his passions, before finding love with the remarkable Louisa Catherine Johnson. In passages that form a kind of real-world War and Peace, the diary follows the young married couple to St. Petersburg, where as U.S. minister Adams is a witness to Napoleon's invasion of Russia. Its account of the negotiations at Ghent to end the War of 1812, where Adams leads the American delegation, is the perhaps the most detailed and dramatic picture of a diplomatic confrontation ever recorded. Volume 1 concludes with his elevation as Secretary of State under James Monroe, as he takes the fore in a fractious cabinet and emerges as the principal architect of what will become known as the Monroe Doctrine.Volume 2 opens with the political maneuverings within and outside Monroe's cabinet to become his successor, a process that culminates in Adams's election to the presidency by the House of Representatives after the deadlocked four-way contest of 1824. Even as Adams takes the oath of office, rivals Henry Clay, his Secretary of State, John C. Calhoun, his vice president, and an embittered Andrew Jackson, eye the election of 1828. The diary records in candid detail his frustration as his far-sighted agenda for national improvement founders on the rocks of internecine political factionalism, conflict that results in his becoming only the second president, with his father, to fail to secure reelection. After a short-lived retirement, Adams returns to public service as a Congressman from Massachusetts, and for the last seventeen years of his life he leads efforts to resist the extension of slavery and to end the notorious "gag rule" that stifles debate on the issue in Congress. In 1841 he further burnishes his reputation as a scourge of the Slave Power by successfully defending African mutineers of the slave ship Amistad before the Supreme Court. The diary achieves perhaps its greatest force in its prescient anticipation of the Civil War and Emancipation, an "object," as Adams described it during the Missouri Crisis, "vast in its compass, awful in its prospects, sublime and beautiful in its issue."LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

The Blackfoot people make up an international confederation of tribes from both the United States and Canada. Readers discover the deep history and rich traditions of the four tribes of the Blackfoot Confederacy in this engaging volume. They see the journey these people once took across North America as they hunted migratory buffalo as well as their struggles with the American and Canadian governments. The lively culture of the Blackfoot people is also detailed, examining their religion, social structure, and artistic endeavors. Historical artwork and captivating photographs highlight both the past and present of the Blackfoot Confederacy.

This title focuses on three unique cultures that lived during prehistoric times. The Adena, Hopewell, and Fort Ancient cultures lived in the Ohio region before written records of history were kept. Evidence of these cultures can be seen in the man-made mounds they built across the Middle Ohio Valley. Although scarce, the artifacts found within these mounds have helped archaeologists piece together the history of these cultures who lived so many years ago.